CLOONEY AT HIS BEST in Up in the Air

George Clooney plays Ryan Bingham, a paid "hatchet" man whose job is to fire people for corporate executives who don't have the guts to do it themselves. Touted as a "transition specialist", he spends 322 days a year flying from one city to the next while living out of a one-room rental at a place that looks like the Hampton Inn.

His goal: To achieve membership in the 1,000,000 mile club and receive the airlines club card that identifies him as only the 7th man in the world to reach this milestone.

Bingham loves his work and he truly believes he is a performing a positive service. This, however, is not an upbeat movie. It is a timely and very poignant look at getting downsized in the worst job market in decades. Director Jason Reitman has chosen to cast real people who have been recently fired for the roles of the employees that Bingham meets.

Bingham has no relationships, even with his family, and no commitments. He finds this very satisfying. So too, does the female "road warrior" Alex Goran (Vera Farmiga) he meets in a hotel bar, naturally.

His boss, played by Justin Bateman, brings in a new whiz kid Natalie Keener (Anna Kendrick), who has found a way to cut expenses by firing people through videoconferencing. Kendrick is energetic, smart and likable. Bingham takes her on the road to show the hotshot how he does it, and then to attempt the changeover. Clooney is at his best in these scenes. He is smooth and warm and engaging.

We follow Bingham to Wisconsin to attend his sister's wedding who he hasn't seen in years. There we get another glimpse of the character's bravado while really seeing that he is just a lonely guy.

A late scene with Alex is, thankfully, not your "Harry Met Sally" happy ending. It is also unexpected and it is in this scene that you witness the great actor Clooney has become.

Kendrick and Farmiga are good additions to the cast and this is Clooney's best role. Academy Award nominations for sure for the movie and possibly Clooney.

Inglourious Basterds

Now, this is not one of my favorite films ever, but, for a Quentin Tarantino film, it's very strong...mostly because of its performance by Christoph Waltz as Nazi officer Colonel Landa. It's a long film, and like Tarantino's other works, it's very stylized and very violent. But, it features performances that make it worth seeing and Waltz’s performance, in particular, propels this film from standard-violent-war-movie to an excellent work of cinema. Waltz steals every moment he is on screen…unlike most Nazi characters portrayed in movies (I’m especially thinking of Ralph Fiennes’ cold-blooded killing machine in Schindler’s List), Waltz plays Landa with a sincerity and seeming likeability. We think “what is he after,” since we never know what to expect with this quietly deranged character; his light demeanor constantly keeps us off guard. And Tarantino really does capitalize off of this stellar performance. Landa’s scenes are visually elegant and the cast in scenes with Waltz seem to be pulling out all of the stops to give their best performance to match Landa’s maniacal, yet pleasant chill. As for the movie on a whole, it is a new twist on the WWII years in Europe…told with a strong film and filmmaking element. For movie buffs (like myself), I did enjoy the dialogue between the characters about the movie industry and 1930s directors and actors, etc. And, whether you like that “Hollywood” angle or not, it is something that really has not been touched on in a major way before. The style is unique, as usual for Tarantino, and his brash, bold techniques add to the power and intensity of the film. If you can tolerate the violence, check this one out! It’s a far cry from Pulp Fiction, but it’s a strong film on its own…highlighted by exceptional performances.

Nothing But The Truth

Once again, a small film that DESERVES TO BE SEEN gets tossed into a few theaters for a measly weekend in NYC and LA (just so it can say it's a "theatrical release") and then sent on its merry way to obscurity as a seemingly “direct to DVD” title. Sadly, this has little to do with caliber of acting and/or even the box-office draw potential of the cast (though I doubt Brad Pitt still has a few years to wait for this to happen to him): this film stars Kate Beckinsale, who after her Underworld films, not to mention other action films, is a pretty big star. It has, rather, to do with money…which, as usual, is what everything, especially in Hollywood, comes down to. So, this great film with great performances by a strong cast gets lost in the DVD shuffle. But, please...seek this one out! Loosely based on the true tale of a Washington political reporter, the script perfectly captures the right tone…not going too overboard to the weepy or the harpy, which could have easily been done here. And the cast takes that intensity from the page and adds power and subtlety and depth. Inspired by the case of real reporter Judith Miller who went to prison in 2005 to protect the identity of a source, the movie could have become one of those “it’s in the news so Hollywood must capitalize” flicks that are mainly seen as made-for-TV films. But, Nothing But the Truth is much more than that. I would say that this film far surpasses most intense dramas and thrillers you find in your local multiplex. Beckinsale plays the reporter who finds herself caught in this tangle of excitement and confusion after a story she wrote and championed found its way into the inner-workings of the D.C. elite. Every tactic possible is used to get her to reveal her source and the saga finally leads her to jail and away from not only her job, but also her family. Beckinsale, not someone I would call a "deep" actress, is highly emotive and rich here. She is calm and fearless when necessary, but at other times, she is raw and unabashingly open. Vera Farmiga, again not someone I've seen give a truly meaningful performance in the past, is tense and controlled...but just the right amount. Alan Alda also shines as a high-powered attorney who takes on Beckinsale’s case, against all odds. The supporting cast, including Angela Bassett, Matt Dillon, and David Schwimmer, is strong as well, making this a stellar effort by all involved and an all-around excellent film.

Julie and Julia

A fun, lighthearted film that really, really, really made me want to eat. Not cook, mind you. Some would want to copy the co-main character, Julie Powell, on her quest to cook all of Julia Child's recipes from her Mastering the Art of French Cooking classic cookbook. I just wanted to eat my way through the movie. Aside from this film encouraging my foodie-ness, it is highly entertaining, though I must admit, I enjoyed Meryl Streep playing early Julia Child on an odyssey to to get a French cooking cookbook published in English MUCH more than the odyssey of Powell and her recipe crusade. Amy Adams as Powell is appealing, as Adams always is, but I had little interest in Powell's saga. She cooks and blogs about cooking and talks about cooking and fights with her husband about cooking. It gets a little tiresome. The Julia Child parts, mostly set in Paris after WWII, are full of life and passion...just like Child herself. It is impossible to take your eyes off of Streep's Child...not only is the characterization by Streep spot-on, but the storyline is also more vibrant and lively. We take a vested interest in Child and her cookbook quest, whereas with Powell, we honestly don't care by the end. Fortunately, the Julia Child pieces of the film are so overwhelmingly funny and sweet, they make the film worth watching. And, it's not that you will HATE the Powell storyline...you just won't want to be best friends with her. With Child, you want to be her pal...to help her along with her cookbook...to talk with her...and especially, to EAT with her. And, I'm sure this has to do with both Child's gregarious personality and also with Streep's vivacious performance. All in all, an engaging, entertaining film that you most definitely should not watch on an empty stomach!

The Gathering Storm

Albert Finney plays pre-Prime Minister Winston Churchill to a tee in this historical drama done by HBO. Disliked by many of his Parliament cohorts and thought as a buffoon by others, Churchill, in the 1930s, thought he was on his way out…or at least down…of British politics. Enter Hitler and his pesky little brand of Arians who started taking their rampage through Europe…Churchill saw and felt that Hitler needed to be stopped before most other of his counterparts in Parliament. This desire to defeat Hitler before anymore damage was done is what eventually brought Churchill back into the fray of power in Parliament and eventually to THE position of British power, Prime Minister. But, this film, rightfully so, stops before Churchill comes into power. Rightfully so, since this film is more about the MAN…and the marriage between him and Clemmie than about Parliament and politics and war. Excellent performances by both Finney (who really becomes Churchill in every way) and Vanessa Redgrave as Clemmie.

Criminal Justice

If you ever are tempted to commit a crime, watch this. I say this, because this British mini-series is, I would say, the strongest piece of material I’ve ever seen or heard of that covers each aspect of the criminal justice system…from police station to trial. But, the accused here, Ben Coulter, does NOT commit a crime. He, which you know from the beginning so I’m not ruining anything, is an innocent victim. Yes, he had a one-night-stand with a strange lady he had just met. Yes, he drank WAY too much. And yes, passed out in her kitchen after having consensual sex with her. After he wakes up and finds her stabbed to death, he panics and flees the scene, has a car accident, where the police are called and eventually find out Ben was the one in the dead girls’ house. We (the audience) know he did not do this. But, the police, lawyers, judges, fellow inmates, and even his parents are not so sure. The evidence is overwhelming. The coincidences are just too insurmountable. He just HAD to have done it, right? Well, step-by-step, each of the pieces is chipped away as the wheels of Lady Justice roll on. Even though the story is set in England, the same principles apply…justice, for all its merits, moves slowly and is not above imperfection.

Collision

An excellent, compelling British drama about what-ifs: what if I had left the restaurant two minutes earlier…what if I had taken a different road…what if I had gone slower. All of the what-ifs here pertain to a car crash on a motorway, as the British call them, and the people who were all involved in it. Told in flashbacks all stemming from the present where a senior and very troubled police detective is investigating the crash…its origins, its causes, its motives. One of the drivers fled the crash scene and there is an abundance of confusing evidence of why and how the crash began, so the detective has a lot to sort through. And, as he does, he “imagines” or flashes back to what might have been going on at different points, with the passengers of the different cars of the crash. These flashbacks really do the job of immersing the audience into the lives of each of the drivers and passengers. We get attached to these people. We want them to be good. We want them to survive…both figuratively and literally. Excellently acted, this is one of the strongest television dramas I’ve seen in a while. A must see!

The Blind Side

What a great feel good movie! The movie closely follows the book The Blind Side: Evolution of a Game by Michael Lewis which is based on a true story.

Michael Oher (Quinton Aaron) is a homeless black kid from the Memphis projects who lands in a wealthy Christian school on a scholarship. Leigh Ann Touhy (Sandra Bullock) finds him walking alone on a cold night and takes him home for one night. That one night turns into many and eventually Michael is adopted by the Touhy family. As a football player and student, Michael works hard and with the help of a tutor, his coaches and adopted family becomes an All-American offensive left tackle at the University of Mississippi. The Baltimore Ravens drafted Oher in the first round of the 2009 NFL draft.

Sandra Bullock’s performance as Leigh Ann Touhy is consistently outstanding. Finally she finds herself in a drama with a worthwhile story line. The Touhy son S.J played by Joe Head provides great humorous scenes. Kathy Bates, Tim McGraw and Quinton Aaron are also strong in their roles.

Not only a reflection on the strength of family, the Blind Side shows great football action and strategy. Appearances from several famous Southern college coaches provide an interesting view of the college football recruitment process. The Blind Side warms the heart during this holiday season.

Oscar® Calendar

JANUARY

Mon., Jan. 4
Early registration opens for Niles District
cardholders who bring their completed
10-punch film card. 
&
WATCH TO WIN contest begins

Mon., Jan.11
Registration opens for all Niles District cardholders


Mon., Jan. 25
Registration opens for all NON-Niles District cardholders

Tues., Jan. 26, 2pm
Rebecca, Not Rated, 130 min

FEBRUARY

Mon., Feb. 8
PICK THE WINNERS contest begins

Tues., Feb. 9, 2pm
The Lost Weekend, Not Rated, 101 min


Wed., Feb. 17, 7:30pm
Road to the Oscars® with Reid Schultz:
2009 in Film! (R)



MARCH

Tues., Mar. 2, 2pm & 6pm
My Fair Lady, Rated G, 170 min — SINGALONG


Sun., Mar. 7, 7:00pm
Oscar® Night Party! (R)


(R) Registration required

Winter Film Program Recap

December

*Sat., Dec. 5, 2pm—Angels and Demons, PG-13, 138 min
*Thurs., Dec. 17, 2pm—Four Christmases, PG-13, 88 min
*Sat., Dec.19, 2pm—Josh Groban in Concert, NR, 60 min

January

*Sat., Jan. 2, 2pm—My Sister’s Keeper, PG-13, 109 min
*Mon., Jan. 4—WATCH TO WIN OSCAR CONTEST begins —
see the AV Desk for details.
*Sat., Jan.16, 2pm—Gypsy Caravan: When the Road Bends, NR, 60m.
*Thurs., Jan. 21, 2pm—Julie and Julia, PG-13, 123 min
*Tues., Jan. 26, 2pm—Rebecca, NR, 130 min
*Thurs., Jan. 28, 2pm—Classical Composers in Hollywood

February

*Sat., Feb. 6, 2pm—The Proposal, PG-13, 108 min
*Mon., Feb. 8—PICK THE WINNERS OSCAR CONTEST begins —
see the AV Desk for details.
*Tues., Feb. 9, 2pm—The Lost Weekend, NR, 101 min
*Thurs., Feb. 11, 2pm—Amélie, R, 122 min
(in French with English subtitles)
*Sat., Feb. 13, 2pm—Patsy Cline: Sweet Dreams Still, NR, 60 min
*Wed., Feb. 17, 7:30pm—Road to the Oscars® w/Reid Schultz:
2009 in Film!
*Thurs., Feb. 18, 2pm—My Life in Ruins, PG-13, 95 min

March

*Tues., Mar. 2, 2pm & 6pm—My Fair Lady, G, 170 min — SINGALONG

Angels and Demons

Based on Dan Brown’s first “Robert Langdon” book, Ron Howard makes an above average thriller that keeps you guessing to the very end. Unlike Howard’s The Da Vinci Code, also with Tom Hanks as main character/symbologist Langdon, this time around the pace is faster and the action seems more necessary to the story. And, I found, this film much less convoluted than The Da Vinci Code, even though it is chocked full with just as much history. Dealing with both the kidnapping of four senior Cardinals in Rome (where they have congregated after the death of a pope) and a missing container of “antimatter,” the kidnappers, calling themselves part of the Illuminati, a historical secret organization, threaten to kill a Cardinal an hour and then blow up Vatican City. Langdon is this time called in by the law enforcement of Vatican City because of his knowledge of the Illuminati and, once he gets involved, the action does not slow until the end credits. As Howard did with The Da Vinci Code, he got top names to play key supporting roles: Ewan McGregor playing the late pope’s Camerlengo, Stellan Skarsgård as the head of the Swiss Guard, the pope’s personal protection service, and the always excellent Armin Mueller-Stahl as the Dean of the College of Cardinals. No, the script is not perfect and the story itself is, of course, far fetched. But, for a solid action movie, you cannot really go wrong with this one. And, the special effects are pretty top-notch…considering that much of action takes place at the Vatican, where Howard and crew were, naturally, restricted. All in all, Angels and Demons will most definitely hold your attention!

NEW MOON

What makes New Moon an excellent movie representation of the book is the careful screenwriting and editing. The action flows well with major points of the book covered.
Technical special effects of the vampire and werewolves are artistic and realistic. The photography of the lush scenery of the Northwest is breathtaking and plays a subtle second to the dialogue and action. In Twilight there were just a few too many aerial views leading one to scream I GET IT. THEY ARE IN THE WOODS!

All the actors fulfill their roles well. Taylor Lautner is a warm and charismatic Jacob and Kristin Stewart comes across as devastated Bella. Robert Pattinson continues to play Edward with cool broodiness. Stewart does a great job of playing the Jacob – Edward balancing act. The wolf pack steals the show with their abs, warmth, beautiful smiles and down to earth dialogue. There are a welcome number of humorous lines in New Moon. The scenes with Jessica, Mike, Eric and Angela are quite funny. In addition the personalities of the Cullen Family shine with good amounts of on screen time for both Alice and Carlisle.

I really wish the producers would work on better wigs, costumes, and make up for the vampires. Heavy handiness on the pale makeup for Edward and the rest of the vampires makes an unrealistic situation for these vampires who are supposed to blend in with the Forks community. Pale but not pale to the power of ten. In the novels, Meyer writes nonstop about their outstanding beauty.

New Moon is worth the money and wait.

IN BRUGES

After reading the blog (below) that identified CC's top 10 movies of the decade, I had to watch (for the third time!) "In Bruges".
This truly superb thriller is set in the beautifully filmed city of Bruges, Belgium. Set against the background of this "old world" European city known for its lush gardens and architecture, two Irish (Brendan Gleeson and Colin Farrell) hole up after having been banished from London by their mob "boss" following a "hit" that went tragically wrong. Ray (Farrell) killed a priest in Dublin, but also killed a little boy in the process. This mishap haunts him for the entire film. Ken (Gleeson) and Ray work for a man named Harry (Ralph Finnes) who, for the first two-thirds of the movie, is heard only through phone conversations with Ken. The older, gentler Ken delights in the city...... reading tour guides, visiting tourist attractions and enjoying the beauty of the city. Ray, hot-headed and short-tempered, on the other hand, cannot wait to leave. The dialog between the two is reminiscent of the feisty exchanges in the movie "Pulp Fiction". In fact all the dialog in this film is smart, funny and vicious. Although Ray finds the city unremarkable, he becomes entranced when he comes across a film being made on one of the streets. There he meets and develops a friendship with two very different and interesting characters; a beautiful blond (Chloe) and a dwarf (Jimmy). At this point, the film cleverly brings all these eccentric characters together at one place and at one time for a thrilling and sensational ending. The movie is engrossing with its plot twists and dark humor. I relished every scene. Colin Farrell is in his best role to date.

SUNSHINE CLEANING

From the same producers who brought you "Little Miss Sunshine", "Sunshine Cleaning" is a warm, quirky, sad and emotionally uplifting story about families and the relationships and events that define them.
The ensemble cast of actors play off of each other beautifully. Amy Adams, as Rose the optimist, an ex-high school cheerleader and now a single mother trying to do the best for her son while working as a maid, is endearing. Emily Blunt, as her pessimistic sister Norah who lives at home with her irascible father (Alan Arkin) who is always in search of the next get-rich-quick scheme, is equally engaging. Arkin brings a fresh look to a familiar role.

Rose's married boyfriend (Steve Zahn) and old high school sweetheart, is a homicide detective. He overhears a building supervisor complain about the cost of "cleaning up" following a suicide.
In need of quick cash, Rose and Norah are "advised" to go into the crime-scene clean-up business, a business they find more emotionally overwhelming then physically repulsive.
Additional characters, including a lonely blood bank worker and a one-armed cleaning supply salesman add another layer of punch to the movie.
Not as intense and funny as "Little Miss Sunshine", the plot feels a bit contrived, however, the performances by Adams, Blunt and Arkin are worth the watch. At the end of the film, I found myself wanting to live with the family a little bit longer.

CC's Top COMEDY/ROMANCE movies of the decade -- 2000-2009

Bridget Jones's Diary
Danny Deckchair
The Darjeeling Limited
Death at a Funeral
A Good Year
The Holiday
Kate and Leopold
Last Chance Harvey
No Reservations
Wimbledon

CC's Top ACTION/THRILLER movies of the decade -- 2000-2009

Before the Devil Knows Your Dead
The Bourne Identity
Casino Royale
Cassandra's Dream
The Count of Monte Cristo
The Departed
Hot Fuzz
In the Valley of Elah
No Country for Old Men
Ocean's 11

CC's Top FOREIGN movies of the decade -- 2000-2009

The Band's Visit
The Chorus
The Counterfeiters
Crimson Rivers
Downfall
Kitchen Stories
The Lives of Others
Priceless
Tell No One
Together

CC's Top movies of the decade -- 2000-2009

American Gangster
Chicago
The Curious Case of Benjamin Button
Happy Go Lucky
In Bruges
Incendiary
Man on Fire
Match Point
Nothing But The Truth
Possession


HONORABLE MENTIONS
Evelyn
Unfaithful
25th Hour
The Dish
Lars and the Real Girl
Punch-Drunk Love
Vera Drake
The Visitor

Easy Virtue

Escape into the world of the early 20th Century English Countryside with Noël Coward’s Easy Virtue, an enchanting romp of manners, moral conduct and forbidden love. Fun from the first scene, playwright Coward writes a taut, clever piece here, that is dazzled up for the big screen with a strong cast and a beautiful setting. British period piece stalwarts Colin Firth and Kristin Scott Thomas shine as the patriarch and matriarch of a dizzy, dysfunctional family, the Whittakers. Mrs. Whittaker tries desperately to keep her family proper, which is a task that seems impossible at times and the entire family spends most of its time trying to live up to the expectations their stern, rigid mother has set for them. Case in point, her son, John, brings home an American widow, Larita, as his new wife and the mother has to find a way to accept this sophisticated yet unrefined woman into her household. Or, better yet, John has to find a way to shield Larita from his mother’s tyrants and constant quibbling about the fact that Larita is less than ready for British country society. Constant banter from mother, son, wife and the whole gaggle of Whittakers provides non-stop entertainment.
Jessica Biel as Larita could be seen as an unconventional choice. But, Biel lives up to the Larita that Coward himself might have envisioned. She is playful and sweet, without being too over-the-top. Her frustration with her mother-in-law’s acceptance of her seems convincing, though Biel’s Larita does not in any way give in to Mr. Whittaker’s demands and streaks of terror. Kristin Scott Thomas shines here as the dominating, over-bearing mother. Out of major filmmaking for a time, Thomas made several recent films in France, though she is best known for her work in The English Patient, for which she was nominated for an Academy Award® for Best Actress. Colin Firth, in my opinion, steals the show here, as the gruff, unruffled, disheveled, recently resurfaced father. His character has a seemingly small role, but it is intricate to the plot and Firth makes it so when Mr. Whittaker is on screen, you cannot notice anything else…which for the nutty, whirlwind behavior of this family is saying something. The soundtrack adds not only to the time period, but to the franticness of the antics…altering lively, modern tunes into 1920s-style rhythms.
All-in-all, a fun, exciting two hours in the English Countryside…with some quirky characters along for the ride.

Valentino: The Last Emperor

My first trip to Venice was memorable in many ways. But, I will forever remember walking past a Valentino store and just being entranced at what stood in front of me…behind a mere pain of glass. I wanted that dress behind the window. Why? Well, it was simply the most gorgeous material possession I had ever seen. And, after watching the documentary, Valentino: The Last Emperor, I find that I am not alone. There are people the world over that have fallen in love with Valentino’s designs and gift for creating beauty. The man, seen here as a perfectionist and a diva (if that word could be used for any man, it should be used for Valentino), just seems to know what styles, colors, fabric and design will make a woman’s beauty shine. His desire for excellence has paid off for 45 years, during which he has reigned as one of the premier (if not THE premier) woman’s fashion designer in the world. He focuses his designs on ONE thing…evening gowns…and has perfected the elegant, classic and fabulously stylish look. Any woman who possesses any imagination can visualize herself in a Valentino. And, in this movie, you get a little peek at how that international glory has not only been achieved…but been sustained for over four decades. Filmed with less of a history bent and more a “day in the life” spin, the documentary looks at Valentino’s 45th year in fashion…including the anniversary party and fashion show in Rome. His lifestyle, like his work, is the ultimate in style, but would we really expect anything else from someone who creates work that has the ability to transport us to another reality. He can be temperamental, but we expect that. He is demanding, but we understand that (could he really design the dresses he designs and NOT be showy?). He is not always gracious, but we over look that. Why? Because he is Valentino? No…there is more to him than that. As the documentary reveals, he has difficulty expressing his emotions to others, even those who are intimately close with him. We come to realize the reason Valentino is seemingly stingy on giving thanks is because, with his artistic temperament, he has trouble relaying expressions of gratitude. When he does, he gets overcome…he breaks down from all of the appreciation he has for his staff, friends and partner. He is an extravagant man on the outside, but inside, he is a sensitive soul. Anyone who is interested in fashion, interested in design or just plain interested in beauty should see this fascinating documentary.

CALLING ALL ALFRED HITCHCOCK FANS...!

In doing some random Hitchcock searching, I happened to stumble across THE ALFRED HITCHCOCK WIKI.
Aside from being totally stunned that I have not uncovered this treasure trove before, I was giddy with excitement at this site. It's like HEAVEN in a website form for any Hitchcock afficiando (there are other words I can substitute here, but I will skip it).
YOU MUST CHECK IT OUT!

http://www.hitchcockwiki.com/wiki/Main_Page

MEATY MATT

THE INFORMANT!
Directed by Steven Soderbergh


Matt Damon and Soderbergh (Oceans 11) are together again in this true life story of corporate whistleblower Mark Whitacre.

Damon has gained, oh, maybe 30 lbs. and has added a snarky moustache to play Whitacre a division President at ADM (Archer Daniels Midland). In the 90's, ADM has been involved in an international pricefixing game, and this has upset Whitacre's business ethics. Oh yeah, did I tell you Whitacre is bipolar and a compulsive liar.

Whitacre contacts the Feds and they can't believe this guy would sacrifice so much to be a corporate snitch. Is he telling the truth? Tapes and wiretapping reveal ADM bigwigs indeed have been involved in a massive pricefixing scheme. But what about Whitacre?

The movie is a funny and satirical look at corporate meanderings. The two FBI agents that Whitacre confides in, played by Scott Bakula and Joel McHale, give funny and believable performances.

The two hour movie is sharp and quick-paced. You can't believe it is a true story.....or can you?

Happy, Texas

A fun film about some haphazard thieves who happen upon a small town in Texas and become attached to it and its residents. The thieves have just escaped from jail and the small-townspeople mistake them, through a series of misunderstandings, for a gay couple. Of course, this town is conveniently having a beauty pageant and, of course, who wouldn’t be better than the new gay couple to host the pageant. It is a completely entertaining, enjoyable film that will definitely put a smile on your face. Steve Zahn is used to playing quirky, unusual characters, but seeing Brit Jeremy Northam, who is used to playing proper, buttoned-up historical characters, as a wild “gay” crook is worth the popcorn right there!

Color Me Kubrick

Another slam-dunk performance by Malkovich! Here, he plays probably his most quirky, unusual yet…a combination of different characters…all pretending to be Stanley Kubrick. What???? Yes, you read me right. Malkovich’s character plays a man named Alan Conway…who is obsessed with being known as Stanley Kubrick. Well, in addition to Kubrick, Conway is also obsessed with NEVER PAYING FOR ANYTHING, which he is able to get away with MUCH easier as Kubrick, than as Conway. Set in London in the 1990s, the tag-line for this film is “a true-ish story.” And, that would be pretty accurate…since there WAS a man in London in the late 1990s pretending to be Stanley Kubrick. But, that I believe is where the truth ends. All of Malkovich’s characters I would say are originals. If the imposter really did do some of the things Alan Conway gets away with, I would want to shake that man’s hand. Because Conway does and gets away with the more ludicrous things…they have to have been conceived in the mind of the screenwriter, right? But, then again, the idea of someone posing as a famous film director is pretty much out there already.

The Great Buck Howard

A fun, lively film about an entertainer/magician/all-around-showman who has a final last hurrah in the spotlight, which is much more than he really deserves. John Malkovich comes across with a unique, completely original character that makes me respect him more as an actor. After playing bad guy after bad guy, his performances got a little monotonist. Here, though, Malkovich cannot be called anything but unusual and exceptional. The story of a “Kreskin-like” illusionist (actually, Buck Howard was inspired by The Amazing Kreskin, which you find out at the end) who we think is waning toward retirement. When he comes up with one last big idea to gain some popularity back, of course the audience thinks he’s crazy (which is pretty accurate). But, the idea, by some twist of fate, takes off and gives him more success than he’s ever had. The story itself is silly at times but Malkovich makes this movie with his quirky, distinctive performance.

Inside the Actor's Studio

Interviews with Paul Newman, Robert Redford, Barbra Streisand and Clint Eastwood, done with moderator James Lipton’s trademark blue question cards, do not get any better. Anyone who likes film, has an interest in the film business, or even just likes any one of these actors needs to see this. Lipton starts, as usual, with childhood question, but quickly moves into the acting process and breaking into the business. All four actors are candid and forthright…especially Streisand, who I expected to be more buttoned-up. Newman was Lipton’s first guest so you will also see the evolution of the show as well. Lipton focuses mostly on the acting process and getting to the core of how their individual method works. A great study on acting, actors and film in general!

Wallander

Created by author Henning Mankell, Kurt Wallander is not your typical police detective. He’s dirty, he smells, he’s a bad family man, he’s practically suicidal at times…and he looks awful all the time. But, he is good at what he does…it is by far what he does best…solve crimes. The crimes nag at him, infest his person, enter his soul and will not leave until they are solved. To say he takes things personally is a true understatement. Sure, Frost and Morse are both grumpy, unkempt at times and lacking in social skills, but compared to Wallander, Morse/Frost would be your favorite cuddly grandpa. And, these BBC/PBS productions are so skillfully done, they really get into the mind of Wallander. We can almost feel his pain and his angst. We are right along with this daughter as she pleads with him to eat and sleep. Branagh is perfectly cast as Wallander…he is not afraid, here, to let anything show…he is completely exposed. Most actors wouldn’t be able to do this…even if they could. The stories are your average crime fare. What makes the series as great as it is is the character Wallander and Branagh’s portrayal.

Bleak House (2005)

To be honest, I’m not a Dickens fan. His stories are too dark and his characters get weighed down with a lot of murky dialogue and subplots. So, when I heard about all of the attention the 2005 BBC version of Bleak House was getting, I was apprehensive. After it was nominated for a slew of Emmys, I decided to give it a try. And, I sure was surprised…pleasantly so. At over seven hours total (each of the three discs contains five, half-hour (or so) episodes), I started out being daunted by the time commitment alone. But, the episodes flew by as I became more and more entrenched in the world Dickens’ created in 19th Century England. In this case, though, Mr. Dickens probably deserves only a share (a large one) of the credit. The filmmakers of this production do a superlative job of keeping the storylines straight and making sure we know all of the characters, from their dispositions to their importance in the story, right from the start. It’s also shot so we can spot a place where “bad” things are destined to happen…places filled with little light and black, gray backgrounds are filled with evil characters doing evil deeds. For example, the law offices of Mr. Tulkinghorn are shown often during the day but there is a somber, grayish tint, matching the dastardly ways of the man who works there. The story is pretty simple (though that is usual for a Dickens novel)…two “wards” from a family which has been long embroiled in a messy, complicated court battle head to the country house of their guardian, along with a companion. Ok, there is more to it than just this case, but everything in the story…every character, every revelation, every death…stems from the this lawsuit. Trust me, once you start watching, you will be riveted and feel compelled to give Dickens (his novels, that is) another try. Don’t blame me when you do!

Midsomer Murders

GREAT series with a stodgy superior detective who's assistant seems always to be wrong and/or one step behind. Yes, it's similar to Morse and Lynley, but the rural setting and the clever dialogue make this one stand-out among the others. I really like the rapport between the senior detective Barnaby and his always second-fiddle Sergeant Troy. For those who love British detective shows, this one is a MUST SEE!

Inspector Lewis

Taking over the role of “mentor” detective, Lewis returns sans Morse after being widowed and taking a long holiday to drink a lot and forget. Once back in Oxford, he is partnered with a new sergeant (a little less naive than Lewis used to be with Morse, but still pretty green) and they begin protecting Oxford from all things nefarious. The one major difference here between this show and Morse is that the new assistant, Hathaway, is the more cultured, educated one…taking those reins from Morse. Lewis is once again, usually a step behind. So, even though he is Hathaway’s mentor, once could also say Hathaway teaches Lewis a lot too. Excellent stories and wonderful acting really round out this series as a winner. I thought for sure I would be lost without Morse. Yes, Oxford is different without the old guy, but Lewis is a more than capable replacement.

A Year in Provence

This film is what I wanted the film Under the Tuscan Sun to be…a true experience of the culture, people and general “soul” of the place. The region of Provence in France is a beautiful region…similar to Italy’s Tuscany in the way people rave of its beauty and its scents and its postcard images. This series is based on the book of the same title by Peter Mayle, a former ad man in London who, along with his wife, decide to retires early in a farmhouse in Provence’s Luberon region. Mayle’s book became a sensation (mostly because it is about someone who actually does something that most people just dream of) just like Frances Mayes’ book about “escaping” to Italy…Under the Tuscan Sun. Unfortunately, the film version of Mayes’ book was changed into more of an exploration of romance instead of a study of Tuscany and its people. This TV version of Mayle’s book, on the other hand, is exactly what the book is…and more! When I say more, I do not mean to criticize Mayle’s beautiful book in any way. I just mean that SEEING Provence in its full glory surpasses the written word some. And what sights you see here! A Year in Provence is filled with the “air” of Provence…the images, the language, the smells, the culture, etc. This is a FUN time…there is something for everybody: scenery, humor, culture, beauty. How can you miss!

Wire in the Blood

Dr. Tony Hill is a psychologist. A pretty dang quirky one. He talks to himself. He tries to work out his cases by posing as both the criminal and the doctor. He’s a little strange…but boy is he clever. He plods and thinks and analyzes and examines and will not stop until he has solved the puzzle…always one step ahead of both the criminal and the police. Working with him is Detective Chief Inspector Carol Jordan who has a pretty major crush on Dr. Hill (and vice-versa) but neither will ever let anything happen. They are both too professional for that. But, as a crime-solving duo, they work together flawlessly. DCI Jordan calls Dr. Hill in on special cases…stumpers -- mostly multiple murder cases or serial killings. Hill can almost “get inside” or see inside the brain of the killer. In the first case, Dr. Hill gets more than he bargains for when he helps DCI Jordan on a serial killing case and he gets targeted by the killer and captured and tortured. Does Jordan save him in time? Well, let’s just say that the series goes on.

The Wire

I’m assuming this is how police work really is…sometimes it’s just waiting around, and sometimes it’s busier than can be. This HBO series goes into the inner-workings of a special task force of police detectives who work on complicated, complex cases…cases that require more time than most police would be willing to give. Season one deals with the tracking down of a drug kingpin in the Baltimore (where the show is set) projects. The entire season of shows is based on this one case…which is also how subsequent seasons are as well. No, it’s not boring…they catch small members of the drug gang and then they just keep working up the food chain until the catch some big fish. It’s intense and riveting and as exciting as any cop show I’ve seen (maybe even more exciting) even though the cast of criminals stays the same. If you like crime stories on TV, this one is a must!

Weeds

The first season was good. The second season is almost perfect (barring the silly season ending). This show is an example of why writing is so crucial to making a good idea great. The scripts are sharp and perfectly witty. The dialogue snaps off the characters tongues as if they are those characters instead of paid actors. This is not to say the plotting is not good…it is. But the sharpness of the writing is what, I feel, really makes this show stand out from the other “controversial” shows that cable offers. The basic plotline revolves around a recent widow with two boys (one teenager and one younger) who supports her family by selling pot in an upscale suburban neighborhood. Quirky characters and interesting subplots (and of course the snappy dialogue) make this show a must see!

Vincent

Ray Winstone embodies what all police want to be. He’s good at what he does. He’s great with the ladies. And he looks cool while doing it all. Vincent is an excellent show that really gets into the persona of the detective. Many cop shows brush on it…but this one gets inside. Winstone is an appeal, loveable yet slightly worn character that makes you wonder why he does what he does. But, when he starts solving crime, it all makes sense, since the puzzle pieces fall into place for him with such ease. A great show!

The Vice

A well-made British show about a vice cop who just cannot leave his work at the office. His passion for getting girls off of the streets consumes him…ruining every aspect of his personal and private life. Well-written and extremely well-acted by Ken Stott, who is best known for his work in another British show, Rebus. A must see for anyone crime TV aficionado!

The Tudors

I'm only vaguely interested in history, so I wasn't sure if I would be able to get into this one. I’m on season two and boy, am I hooked. It is riveting TV, even though much of the plot is known already. Henry is played with charm, charisma and a touch of evilness that makes it impossible to love him completely, but also impossible to turn away. His quest for power is addictive and the men (and women) around him seem to feed off of his need for world domination. Sexy and biting, this show is much more than just history. Now, whether it’s accurate in its historical tellings, that is something I will leave to the experts.

A Touch of Frost

What a wonderful, eccentric detective Detective Inspector Frost is. He's a whip-smart guy who never lacks that witty comeback or that well-timed pun. He loathes paper-work and patronizes his boss whenever he has the chance. All in all, a perfect British crime solver. The seasons I watched were (1 and 2, I believe) filled with good mysteries. Ones where you don't see the outcome right from the beginning, which is good because with those predictable ones, you're bored a third of the way through. But, regardless of the crimes, Frost would be entertainment on his own. In season one, his wife is ill and eventually passes away. But, during even this tragedy, Frost holds onto his famed "edge" never leaving a missed opportunity for a quick, snappy remark. Some would call that in bad taste. I just call it funny. I mean the character is set-up so you never really do take him THAT seriously. Why would he let us down by getting all serious when his wife is ill. He is serious, though, as a crime solver. That is when he shapes up and means business. But, then again, he does find ample chance to "stick" quips to the criminals. Don't you worry….

Queer as Folk

Once you start watching, chances are you won’t be able to stop! I mean, this show is truly addictive. Basically, it revolves around four gay friends in Pittsburgh… “friends” being the key word since, aside from the occasional experiment, they remain platonic. I would say the main character of the three is Brian Kinney, the self-obsessed ad exec who comes across as narcissistic but really will go to any lengths to help his friends. Aside from Brian, there is Michael—the most middle-of-the-road, Emmett—the most flamboyant, Ted—the most uptight, and Justin—the most innocent. They all go in and out of relationships together, talk about one-night-stands together, go through life crises together, drink together, workout together, etc. Also mixed in are Debbie, Michael’s wild and outspoken mother, and Mel and Linz, two lesbians who have a child fathered by Brian (and another one later on fathered by Michael). Debbie adds quite a lot of spice to the show, with her opinions on everything. But, the show is definitely spicy on its own with its graphic content. Leave it to cable (Showtime) to come up with something this controversial and ultra-contemporary.

Prime Suspect

Detective Chief Inspector Jane Tennison is one tough lady. She does not give up…no matter what the odds. She stands by her convictions and her beliefs no matter who tells her she is wrong or that she "can't" do something. Basically, police do not come any stronger than she. In Prime Suspect 1, Tennison has been passed over several times for big cases, something she believes has to do with her being a woman. So, after a male counterpart dies at the beginning of a big murder investigation, Tennison insists on taking over the case. Once she gets what she wants, most of the men under her are quite a bit upset. But, she does not in anyway let that discourage the ferocity at which she handles the case. I mean, she gets discourage and even loses a live-in relationship because of her long hours and stress level. But, for the most part, she is able to keep it together enough to get her suspect, so to speak. If you like British detective shows, this one is a must.

Monk

Watching Monk makes me feel less neurotic. I mean, who the heck can be more neurotic than this guy? I’m sure there are people out there but in my slightly-neurotic case, I’m sorry…detective Adrian Monk just makes me feel better about my little problems. Aside from that selfish reason, I like the show also because it’s funny and highly entertaining (at least to me). The cases are simple and often quite silly and far-fetched, but Monk’s character makes up for it by being one of the most complex and fascinating (some might call it annoying) characters on TV today. Monk is basically about a man who lost his wife in a tragic accident and he becomes so highly obsessive-compulsive that he can no longer be a police officer. So, he uses he super-detective powers to good use by consulting for the police. Like the Sherlock Holmes stories where Sherlock has his Watson, Monk has a sidekick in his assistant Natalie (Sharona was his assistant in the first two seasons). Sherlock also had a police inspector who was always calling him in for assistance, just like Monk’s Captain Stottlemeyer. All in all, Monk usually provides a solid hour of fun fair and escapism…and also makes you feel more secure about all of your minor foibles and quirks.

Monarch of the Glen

For a light, relaxing time in the Scottish Highlands, look no further than Monarch. But, sometimes, relaxing can be far from accurate…especially for new Laird of Glenbogle…Archie MacDonald. Archie was just another unassuming business owner in London…his girlfriend was also his business partner and they had a good, yet unadventurous relationship. Enter a sudden trip to the Highlands, where he finds out his family’s home and land is in threat of foreclosure…and Archie is forced (begrudgingly, at first) to become more of a Scotsman than a Londoner. The show is sweet and innocent…filled with colorful characters and breathtaking scenery of the Scottish landscape. A great show for all ages.

MI-5

A fast-paced, exciting show that keeps the audience on their edge of their seats; this show is about the British organization MI:5…which is the spy agency that handles all activities WITHIN Great Britain (MI:6, where James Bond works, is responsible for the activities OUTSIDE Britain). If this show is even 10% accurate on what a spy goes through and what spies have to deal with, it is frightening. Taking spying into the 21st Century, this show does a great job of utilizing all of the new technological gadgetry and true-life terror threats as background in their episodes. A great cast helps push this show over the top…it’s provocative, insightful, very topical and fascinating.

Long Way Round

First of all, I’m not a rough and outdoorsy type. I love (LOVE) to travel but the thought of heading to a place where the food consist of things I couldn’t even look at or the thought of being without modern (and sadly, essential) conveniences (like a coffee maker, laundry machine, etc.) or having to sleep outside among the dirt and animals and bugs (THE HORROR!) is just unthinkable to me. But, of course, my idea of travel is not the only one out there. Movie star Ewan McGregor and his pal Charley Boorman come up with a plan to drive motorcycles from London to New York eastbound, meaning the long way around. And, at over 20,000 miles, long is an understatement. In a trip that they estimated would take them three and a half months, they started several months before the departure getting financial backing for their worldwide quest. They accepted an offer to do an ongoing documentary for British TV, they organized a crew of producers and camera people who would be accompanying them (only one cameraperson rode with Ewan and Charley…the other crew members drove different routes in SUVs), they scouted out the best roads, they talked with officials of each of the countries, they exercised to get in shape, and on and on and on. The DVD set (two DVDs at approx. five hours) is the resulting documentary they produced and is simply fascinating to watch. There is a good hour of pre-trek information, but most of the documentary is spent with Ewan and Charley on the road….in Britain, France, Germany, Croatia, Slovakia, Kazakhstan, Mongolia, Siberia, and finally North America. Each country they go to and each minute they ride gets more and more captivating. It is a story of adventure, survival and most of all, friendship.

Long Way Down

The second installment of the McGregor/Boorman world trek via motorcycles was even more exciting than the first (Long Way Round). This time, most of the episodes were devoted to the trip...rather than all of the preliminary work. Sure, the first few episodes cover some of the pre-trip stuff, but it felt like it moved along faster this time. And, once they got on the road, it was pure enjoyment. Though parts of Europe and then the entire length of Africa, Charley and Ewan ride gravel roads, sand highways, and rocky passages, all while we follow along. Not the most action-packed fun you can have, but for travel buffs who can never get the wanderlust out of their systems, this is a great way to do some good armchair traveling.

Keeping Up Appearances

What is there to say about Hyacinth Bucket???? She’s very fashionable. She’s cultured. She’s meticulous. She’s clever. And she drives people CRAZY! Hyacinth Bucket (pronounced Bouquet, please) is a married woman living in what she feels is a superior home in an inferior area. She drives her neighbors to insanity, her husband to drink (well, not really), her sisters and brother-in-law to drink (really), the postal worker and the milk delivery person to hide, and everyone else around her to run in the opposite direction when she’s in the vicinity. But, is Hyacinth aware of all of this? No…she thinks she’s loved and admired — for her class and her breeding and for her impeccable taste and for her Royal Doulton with the hand-painted periwinkles and her INFAMOUS candlelight suppers. Patricia Routledge excels here as the ever-perfect, ever-annoying Hyacinth. She is able to make this over-the-top character likable even though it’s usually hard to love Hyacinth. She’s the woman you hate to love, but just can’t help it. And even though it's the writing that creates a character, the actor is the one to pull it off seamlessly, which Routledge definitely does here.

Inspector Morse

Like Detective Inspector Jack Frost of the A Touch of Frost series, Chief Inspector Morse is grumpy. He’s what I would call a curmudgeon. But, somehow, we love him. He loves classical music…especially opera, drives his classic Jag, loves the ladies but is a confirmed bachelor, and most of all loves his beer. Along with his trusty and more passive sidekick, Detective Sgt. Lewis, Morse travels about the Oxford area solving crime and frequenting pubs. The crimes and cases are all top-notch...almost perfectly constructed. Each episode is filled with so much information and so many details that if you blink, you miss something. The chemistry between Morse and Lewis is strong…Lewis is less cultured and more agreeable and Morse is extremely set-in-his-ways. But, the two of them make a great crime-solving team. And, like some shows, Morse does not “instantly” solve the crime…like some shows that have the detective be almost psychic or superhuman with their investigating skills. Here, the cases are all solved methodically and with great effort. Sometimes, it’s nice to know that even a great detective gets stumped.

The Inspector Lynley Mysteries

These are pretty conventional mysteries -- you have the brooding, troubled inspector and the quick-witted side-kick, who this time happens to be a woman. It's like Sherlock and Watson for the 20th Century. And, like most of the Holmes' mysteries, these are intelligent without being too convoluted. The pacing is not more than the audience can handle...which for me is very important in murder mysteries where there are sometimes are too many characters to keep straight. Here, all of the stories begin with the murder/crime and then the police come in...it works to set a certain standard. Also, the thing that sets this one apart from other detective shows is the chemistry between Lynley and Havers. There are obvious times of attraction but they never seem to be at the right moments. The "do they/don't they" question adds even more "mystery" to these already strong stories.

Hetty Wainthropp Investigates

For a British detective show, this one is fun. Having LOVED Patricia Routledge in her acclaimed British comedy Keeping Up Appearances, I was at first hesitant to try this show. I mean, Routledge will always be Appearances’ Hyacinth Bucket to me and watching her play anything else would be silly and pointless, right? Well, Routledge’s acting skills are such that, shortly after I began the first season of Hetty, I soon forgot about Hyacinth and Appearances (at least for the time being). Routledge’s Hetty is a spunky, determined woman who is desperate to fight off senior citizenship for as long as she can. Her husband recently retires and he figures they will live a life of quiet, peaceful rest but Hetty is cagy and unfulfilled by the thought of lazing around in her Golden Years. Instead, she takes a job at a post office branch and while working, she begins to investigate some potential frauds. One thing leads to another and she is well on her way to solving crimes. She enlists the help of a young, wandering teenaged boy who becomes her “assistant” and eventually moves in with her and her husband. Unlike some detective shows where there is a strong “gimmick” factor…the gimmick here being a senior, former housewife detective…the crimes and plots are pretty strong and convincing. The cases she takes on are not fluff, but also in the same token, they are not so unbelievable that no one would ever be able to solve them…not to mention an inexperienced P.I.

George Gently

A crusty police detective who is close to retirement age relocates to a small North England town from London, where he still continues to work as a police inspector and gets a new partner instead of retiring. One of the reasons he cannot retire is that he is continually haunted by the brutal murder of his wife…back when he was living in London. Set in the 1960s, the George Gently character seems, at first, like all of the other grumpy, old British police detectives and this will be like all of the other British police series…ala Frost, Morse, etc. But, Gently has an edge that carries through all of the episodes and makes this one stand out among the crowd.

Fawlty Towers

There are just some things that make people laugh. And, no matter how many times I watch it, Fawlty Towers is my thing. I finally had to buy the set since I don’t think I’ve ever really seen an episode uninterrupted since I’m always in fits of giggles. Shot in the mid-to-late 1970s in England, this show is a true cult classic…still on public television late at night sometimes and still has a VERY loyal, avid fan base…both in Britain and around the world. The premise all stems from the B&B in Torquay, England run by a husband and wife team, Basil and Sybil Fawlty. There is the flighty receptionist, the temperamental chef, and a whole cast of guests who are not exactly getting the best service possible. Only 12 episodes were produced but each of them is funnier than the next. Yes, humor is relative so what I find funny, you might not. But, give this one a try. Chances are, you will, at the VERY least, find it entertaining.

Extras

In the world of show business, there is a lot of material for comedy. And The Office (the British television show) creators Ricky Gervais and Stephen Merchant use every last one of the opportunities for humor until the well is dry and until the audience is laughing so hard they cannot get off the couch to put the next disc in. Again, Gervais acts in the series also, as he did in The Office and his comic timing is just brilliant. He plays a struggling actor who makes a living as an extra in movies and TV. Unlike most extras, his character sees all of his "extra" roles as small, bit parts which will lead to larger and better roles. Naturally, this is not always the case, which adds to much of the humor. A series of “real” famous actors as guest stars helps make this comedy series a real winner.