Showing posts with label police. Show all posts
Showing posts with label police. Show all posts

Midsomer Murders


GREAT series with a stodgy superior detective who's assistant seems always to be wrong and/or one step behind. Yes, it's similar to Morse and Lynley, but the rural setting and the clever dialogue make this one stand-out among the others. I really like the rapport between the senior detective Barnaby and his always second-fiddle Sergeant Troy. For those who love British detective shows, this one is a MUST SEE!

Inspector Lewis


Taking over the role of “mentor” detective, Lewis returns sans Morse after being widowed and taking a long holiday to drink a lot and forget. Once back in Oxford, he is partnered with a new sergeant (a little less naive than Lewis used to be with Morse, but still pretty green) and they begin protecting Oxford from all things nefarious. The one major difference here between this show and Morse is that the new assistant, Hathaway, is the more cultured, educated one…taking those reins from Morse. Lewis is once again, usually a step behind. So, even though he is Hathaway’s mentor, once could also say Hathaway teaches Lewis a lot too. Excellent stories and wonderful acting really round out this series as a winner. I thought for sure I would be lost without Morse. Yes, Oxford is different without the old guy, but Lewis is a more than capable replacement.

Wire in the Blood


Dr. Tony Hill is a psychologist. A pretty dang quirky one. He talks to himself. He tries to work out his cases by posing as both the criminal and the doctor. He’s a little strange…but boy is he clever. He plods and thinks and analyzes and examines and will not stop until he has solved the puzzle…always one step ahead of both the criminal and the police. Working with him is Detective Chief Inspector Carol Jordan who has a pretty major crush on Dr. Hill (and vice-versa) but neither will ever let anything happen. They are both too professional for that. But, as a crime-solving duo, they work together flawlessly. DCI Jordan calls Dr. Hill in on special cases…stumpers -- mostly multiple murder cases or serial killings. Hill can almost “get inside” or see inside the brain of the killer. In the first case, Dr. Hill gets more than he bargains for when he helps DCI Jordan on a serial killing case and he gets targeted by the killer and captured and tortured. Does Jordan save him in time? Well, let’s just say that the series goes on.

The Wire


I’m assuming this is how police work really is…sometimes it’s just waiting around, and sometimes it’s busier than can be. This HBO series goes into the inner-workings of a special task force of police detectives who work on complicated, complex cases…cases that require more time than most police would be willing to give. Season one deals with the tracking down of a drug kingpin in the Baltimore (where the show is set) projects. The entire season of shows is based on this one case…which is also how subsequent seasons are as well. No, it’s not boring…they catch small members of the drug gang and then they just keep working up the food chain until the catch some big fish. It’s intense and riveting and as exciting as any cop show I’ve seen (maybe even more exciting) even though the cast of criminals stays the same. If you like crime stories on TV, this one is a must!

Vincent


Ray Winstone embodies what all police want to be. He’s good at what he does. He’s great with the ladies. And he looks cool while doing it all. Vincent is an excellent show that really gets into the persona of the detective. Many cop shows brush on it…but this one gets inside. Winstone is an appeal, loveable yet slightly worn character that makes you wonder why he does what he does. But, when he starts solving crime, it all makes sense, since the puzzle pieces fall into place for him with such ease. A great show!

The Vice


A well-made British show about a vice cop who just cannot leave his work at the office. His passion for getting girls off of the streets consumes him…ruining every aspect of his personal and private life. Well-written and extremely well-acted by Ken Stott, who is best known for his work in another British show, Rebus. A must see for anyone crime TV aficionado!

A Touch of Frost


What a wonderful, eccentric detective Detective Inspector Frost is. He's a whip-smart guy who never lacks that witty comeback or that well-timed pun. He loathes paper-work and patronizes his boss whenever he has the chance. All in all, a perfect British crime solver. The seasons I watched were (1 and 2, I believe) filled with good mysteries. Ones where you don't see the outcome right from the beginning, which is good because with those predictable ones, you're bored a third of the way through. But, regardless of the crimes, Frost would be entertainment on his own. In season one, his wife is ill and eventually passes away. But, during even this tragedy, Frost holds onto his famed "edge" never leaving a missed opportunity for a quick, snappy remark. Some would call that in bad taste. I just call it funny. I mean the character is set-up so you never really do take him THAT seriously. Why would he let us down by getting all serious when his wife is ill. He is serious, though, as a crime solver. That is when he shapes up and means business. But, then again, he does find ample chance to "stick" quips to the criminals. Don't you worry….

Prime Suspect


Detective Chief Inspector Jane Tennison is one tough lady. She does not give up…no matter what the odds. She stands by her convictions and her beliefs no matter who tells her she is wrong or that she "can't" do something. Basically, police do not come any stronger than she. In Prime Suspect 1, Tennison has been passed over several times for big cases, something she believes has to do with her being a woman. So, after a male counterpart dies at the beginning of a big murder investigation, Tennison insists on taking over the case. Once she gets what she wants, most of the men under her are quite a bit upset. But, she does not in anyway let that discourage the ferocity at which she handles the case. I mean, she gets discourage and even loses a live-in relationship because of her long hours and stress level. But, for the most part, she is able to keep it together enough to get her suspect, so to speak. If you like British detective shows, this one is a must.

Monk


Watching Monk makes me feel less neurotic. I mean, who the heck can be more neurotic than this guy? I’m sure there are people out there but in my slightly-neurotic case, I’m sorry…detective Adrian Monk just makes me feel better about my little problems. Aside from that selfish reason, I like the show also because it’s funny and highly entertaining (at least to me). The cases are simple and often quite silly and far-fetched, but Monk’s character makes up for it by being one of the most complex and fascinating (some might call it annoying) characters on TV today. Monk is basically about a man who lost his wife in a tragic accident and he becomes so highly obsessive-compulsive that he can no longer be a police officer. So, he uses he super-detective powers to good use by consulting for the police. Like the Sherlock Holmes stories where Sherlock has his Watson, Monk has a sidekick in his assistant Natalie (Sharona was his assistant in the first two seasons). Sherlock also had a police inspector who was always calling him in for assistance, just like Monk’s Captain Stottlemeyer. All in all, Monk usually provides a solid hour of fun fair and escapism…and also makes you feel more secure about all of your minor foibles and quirks.

Inspector Morse


Like Detective Inspector Jack Frost of the A Touch of Frost series, Chief Inspector Morse is grumpy. He’s what I would call a curmudgeon. But, somehow, we love him. He loves classical music…especially opera, drives his classic Jag, loves the ladies but is a confirmed bachelor, and most of all loves his beer. Along with his trusty and more passive sidekick, Detective Sgt. Lewis, Morse travels about the Oxford area solving crime and frequenting pubs. The crimes and cases are all top-notch...almost perfectly constructed. Each episode is filled with so much information and so many details that if you blink, you miss something. The chemistry between Morse and Lewis is strong…Lewis is less cultured and more agreeable and Morse is extremely set-in-his-ways. But, the two of them make a great crime-solving team. And, like some shows, Morse does not “instantly” solve the crime…like some shows that have the detective be almost psychic or superhuman with their investigating skills. Here, the cases are all solved methodically and with great effort. Sometimes, it’s nice to know that even a great detective gets stumped.

The Inspector Lynley Mysteries


These are pretty conventional mysteries -- you have the brooding, troubled inspector and the quick-witted side-kick, who this time happens to be a woman. It's like Sherlock and Watson for the 20th Century. And, like most of the Holmes' mysteries, these are intelligent without being too convoluted. The pacing is not more than the audience can handle...which for me is very important in murder mysteries where there are sometimes are too many characters to keep straight. Here, all of the stories begin with the murder/crime and then the police come in...it works to set a certain standard. Also, the thing that sets this one apart from other detective shows is the chemistry between Lynley and Havers. There are obvious times of attraction but they never seem to be at the right moments. The "do they/don't they" question adds even more "mystery" to these already strong stories.

George Gently


A crusty police detective who is close to retirement age relocates to a small North England town from London, where he still continues to work as a police inspector and gets a new partner instead of retiring. One of the reasons he cannot retire is that he is continually haunted by the brutal murder of his wife…back when he was living in London. Set in the 1960s, the George Gently character seems, at first, like all of the other grumpy, old British police detectives and this will be like all of the other British police series…ala Frost, Morse, etc. But, Gently has an edge that carries through all of the episodes and makes this one stand out among the crowd.

Dexter


Dexter is one of those GREAT stories that you just cannot seem to stop watching. Even when it gets a little too gory for my taste, I find myself unable to turn the TV off. Most of this, I would say, could be attributed to the writing. All of the characters are VERY well-structured. Not that this show is realistic…which is really is not…but at least the characters (for the most part) are. Dexter himself, played by Michael C. Hall, is a loveable loser kind of guy…at first. And even when he shows us his darker (MUCH darker) side, we still see him as the perfect underdog. I mean, the guy kills people…yes, only BAD people…but still. He’s a killer. He’s serial murderer. And I still find myself drawn to him. Go figure. Season two seemed even sharper (no "knife" pun intended) than the first…so I have high hopes the remaining seasons of this show will continue to be top-notch.

Cracker


It took me a little while to get into my first season of Cracker Mysteries but once I did, I couldn’t stop. Robbie Coltrane is simply perfect as the highly-flawed psychologist, Eddie “Fitz” Fitzgerald. I mean, he’s smart and good at “seeing” into people’s minds and souls to help solve cases, but this guy really has a messed up life. He drinks too much, he gambles uncontrollably and his marriage is usually on the rocks (because of the gambling and drinking). But, somehow, someone that is that messed up can really pull it together when it comes to solving crimes. And he not only is able to help the police find the right man or woman, but he also helps the criminals themselves by being able to help them work out their demons. After all, Fitz knows a lot about inner demons…he has more than his fair share himself.

Blue Murder


For a British police show with a female main character, comparisons will always be made to Prime Suspect, the Helen Mirren series that has won over audiences all over the world, in addition to accolade after accolade for Ms. Mirren. In Blue Murder, DCI (Detective Chief Inspector) Janine Lewis is tough (like Mirren), has problems with her supervisors because she’s a woman (like Mirren), and also has issues controlling and getting respect from her staff because she’s a woman (like Mirren). What makes Lewis stand out above the other detective shows, including Mirren, is that this female detective is a single mother, which gives her even more complications and more of an edge than Mirren’s character. A great series that is for anyone who likes cop shows…with either male or female leads.

Citizen X


An excellent movie about the methodicalness and determination of the police in a small town in the Soviet Union in the 1980s in trying to track and catch a serial killer. Based on a true life case, this film shows the brutality of the USSR at the time and how, because of limited resources, detectives often found themselves undermanned and overworked. An excellent cast rounds out this fabulous film about hunting down a killer and how slow and frustrating a process it could be.

Midnight Lace


One of the best endings in film...not the best movie, per se...or even the best thriller. But, the ending makes the movie payoff. You really do not see it coming...at least I didn't. Doris Day shines as the tortured wife of an overly hardworking businessman. She begins hearing voices and then starts getting crank calls. Is she making this up to get more attention from her husband? Is she really in danger? And if so, by whom? Being a huge Hitchcock fan, I?m always skeptical of thrillers that try to copy the image and style of the Master of Suspense. Thankfully, I feel this one is not something Alfred Hitchcock would have disappointed with.

Unforgiven


Clint Eastwood directs and stars as a former violent cowboy who turns over a new leaf. Now a father and a widower, he finds out whether he still has that violent streak. Eastwood and a friend (Morgan Freeman) decide to collect a bounty in a corrupt town, run by a detestable sheriff (Gene Hackman). Called a “psychological” Western, this film won Eastwood his first Oscar for Best Director, in addition to snagging Best Picture and a Supporting Actor Oscar for Hackman.

Unfaithful


A poignant drama about a wife who cheats and a husband who finds out. This simple premise turns very dark and deadly, when the movie really takes off and sets the audience on an emotional roller coaster. Unfaithful shows what the pain of an affair can do to a couple…how both the betrayed and the betrayer feel toward each other and toward themselves. The performances of Richard Gere and Diane Lane as the seemingly happy husband and wife are stunning…nothing they say or do seems overly forced or too overdone. The scene on the train after Lane first has her extramarital encounter showcases what a brilliant and underrated actress she really is. The ending leaves everything up in the air, which I did not like at first but after more thought, I came to see that leaving things open is best. Emotions do not always have easy answers, so then why should a movie with so many emotions end neatly?

Trade


Trade is a tough film to watch. There is a rape. There is violence toward children. I felt, though, that the movie handles these tough issues very well and respects all of the characters throughout the film. Once the Kevin Kline character enters the story, there are moments of unbelievability and even sappiness but for the most part, I felt this was a realistic portrayal of a small slice of the world of human trafficking. The movie does not end how you think it will…where I thought it was going to end would have been unsatisfying for me…since it would have been a clichéd, happy ending. It went one step further and took the ending back to a place of realism and believability.