The Ghost Writer


A sensational thriller from Oscar-winner Roman Polanski who has filmed one of the best final shots I’ve ever seen on the screen. To me, it’s a simply perfect ending to an already great film. This one leaves you guessing all the way…and even once you think you know what’s going on, you’re usually wrong. Ewan McGregor stars as a ghost writer for a scandal-ridden British Prime Minister, Adam Lang (Pierce Brosnan). While writing the PM’s memoirs, the writer gets himself involved with the same political and sexual shenanigans as his subject. The McGregor character is teeming with intensity and confusion. He knows something is going on, but WHAT? Brosnan does a great job of capturing the scorned political figure who might not be guilty of all he is accused of but is guilty of enough. This is a film, especially that fantastic ending, that you will want to watch over and over again to pick up on all of the slight nuances of each of the characters…not to mention the plot twists! The film Polanski has made here competes with Woody Allen’s Match Point as one of the best thrillers of the 21st Century (so far). The Ghost Writer: Rated PG-13, 128 minutes, directed by Roman Polanski, starring Ewan McGregor, Pierce Brosnan, Olivia Williams, and Kim Cattrall. The Niles Public Library will have copies of this DVD when it is released on August 3.

Invictus


As with other films, the background I have about this film was limited. South Africa -- nada. Rugby -- less than nada. But, it's an Eastwood film and it has two of my favorite actors, so what the heck. And, boy, what a great film. Morgan Freeman does a spectular job of playing Mandela...he's less about the looks of the Nobel Prize winner and more about the persona. So, at the start of the film in the early 1990s, Mandela gets out of jail and is elected to president. Apartheid is over. Mandela sees rugby and it's "whites" only popularity as a way to try and help some of the white South Africans that he determined to unite his racially divided country. Matt Damon plays the rugby team captain who is in awe of the inspiring Mandela. Some believe (both black and white) that Mandela's focus on rugby as a uniting tool is fooling. The blacks want to know why he is focusing this much attention on a white sport. And the whites don't believe he is sincere and feel he has some sort of ulterior motive. South African politics are a big part of this film, as is rugby. Knowing next to nothing about those subjects did not hinder my enjoyment here. The story is intense and passionate enough sustain interest throughout. This film is about heart and friendship. It's about determination and spirit. It's a movie for all -- not only political or sports junkies.